Photo by Hillary Goidell.

Lawrence Tome makes music and live accompaniment for dance. Their practice is rooted in deep attunement to the resonances of movement and a project’s foundational questions. They work with voice, keyboards, synthesis, and sampling (and most recently, trumpet) to create sounds ranging from broad experimental landscapes to folk songs. Lawrence has been fortunate to collaborate with several Bay Area based dance artists, and makes music grounded in their own experiences dancing — with Detour Productions, pateldanceworks, Chingchi Yu, and as a solo artist in the Queering Dance Festival. They currently live in the San Francisco Bay Area, on unceded Muwekma Ohlone land, and were raised on Coast Miwok land. Lawrence’s ancestral roots are in Okinawa, England, and Wales.

ABOUT

Upcoming

PAST PROJECTS

  • “my friend eli won’t leave the house” songs arranged for choreographer Nol Simonse.
    Diablo Ballet Dance Lab, June 2022.

  • “death pod” original score for Nol Simonse and Jim Cave.
    CounterPulse, September 2022.

  • “before the clay dries” original score and live accompaniment for Melissa Lewis Wong and Malia Hatico-Byrne.
    Chinese Culture Center, October 2022.

  • “and this is my voice”, solo performance.
    Queering Dance Festival, April 2023.

  • “Gathering Pieces of Piece” song and a capella arrangement for Megan Lowe and dancers.
    ODC, September 2023.

  • Nina Haft and Company, “The Spaces Between”
    Western Sky Studio, October 2023.

  • Danny Nguyen, “No Death, No Magic”
    Parker Electric Foundation, January 2024.

  • Deuce Lee/ Melissa Lewis Wong, “the edge of a cloud”
    Southern Exposure, February 2024.

  • Rebecca Fitton “approval process”
    Bridge Live Arts: Dancing Distributed Leadership, April 2024.

  • “flowers & fog ”
    Movement Research at the Judson Church, April 2024.
    Gateway Theater, May 2024.

  • SanSan Kwan, “Two Doors”
    UC Davis Mondavi Center, October 2024.

  • Becca Dean: TRANSMARSH
    SWAY: Vertical Performance Incubation, Bandaloop Studios
    November 2024

Photo by Robbie Sweeny

reflections

Stories and samples from past projects.

DEATH POD
Nol Simonse and Jim Cave

death pod was one of my first projects. I am deeply grateful to Nol Simonse for inviting me into beginning to make music for dance. The first song in this piece I had written about a year before, inspired by the performance ‘DIG: a hole to put your grief in’. The shovel rhythm and ‘bury away, I feel’ refrain became the score for their opening scene, where Jim enters, weary from a long day, or perhaps a long life. I created a new coda for the song, interleaving Jim Cave’s warm and reaching voice with layers of singing I hoped could evoke spirits, carrying us into the purgatory space of their world.

The rest of the music in the score was created in response to Nol and Jim’s text and ideas. They collaged, experimented, and came back to me with requests for new scenes – a distillation of hours of Jim’s dream voice notes (“breathing dream”), a “big crash”, a score for a slow crawl, water drips for bathing (“fabric dance / death drips”). These were all so rewarding to find.

 “one lose, carry on / i invited death in” rests in how I imagine the bittersweet resignation of death after a satisfied life, death as a dawning, a gentle visit from a hummingbird, rounds that could carry one on onward through endless transformations.

GATHERING PIECES OF PEACE
Megan LoWE Dances

Megan Lowe worked with dancers Clarissa Dyas, Malia Hatico-Byrne, and Melissa Lewis Wong, and a number of musical collaborators to craft this evening-length reflection on mixed-Asian identities. “Becoming” was created to support Malia’s story about watching a hapuu fern unfurl in her granparents’ garden, a score for a duet rooted their deep friendship with Melissa, asking how those near us help us to feel known. I also wrote an a capella song performed by the dancers, called “what are you?”.